Drive lesbian mulholland

Access options available:. This essay considers the lesbian as a modern tragic figure through a reading of David Lynch's film Mulholland Drive. While many have identified Lynch's representation of female same-sex desire in the film as a textbook example of male fantasy, the film offers a subtle treatment of intimate relations between cultural plots of lesbian fantasy and lesbian tragedy. The paper considers lesbian representation in the film in the context of a longer tradition of cultural stereotypes, arguing that the tragic of failed lesbian should not be dismissed a mere specter of ideology. Rather, engaging with twentieth-century theorists of tragedy, Love argues that this pathetic figure is better understood as actually tragic, marked as she is by the exclusionary regimes of the modern.
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New Literary History

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Queer Uncanny#1: Mulholland Drive “Have you done this Before?” – Global Queer Cinema

Mulholland Drive, the film directed by David Lynch, is a neo-noir thriller that centers the concept of queering the femme fatale. When the film debuted in , queerness and especially femme-for-femme queerness had reached peak fascination in mainstream straight culture. The figure of the femme fatale is itself a focus of fascination, no matter our gender or orientation. Is Los Angeles itself a femme fatale? The city is also a theme of the film. What is it about Hollywood that relentlessly holds our gaze? Hollywood, before being an industry, is a location, one that has become a metonymy for LA at-large.
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Naomi Watts and Laura Harring in Mulholland Drive

Mulholland Drive stylized as Mulholland Dr. It tells the story of an aspiring actress named Betty Elms Watts , newly arrived in Los Angeles , who meets and befriends an amnesiac woman Harring recovering from a car accident. The story follows several other vignettes and characters, including a Hollywood film director Theroux.
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Global Queer Cinema is a collaborative research project engaged in investigating queer film cultures from a global perspective and analysing world cinema from a queer point of view. You can read more about it here. The lesbian relationship is central to Mulholland Drive Lynch, and this relationship — fractured, repeated and disturbed — presents an uncanny figuration of queerness. Rita is amnesiac, hiding desperately in the apartment in order to escape some terrible, possibly fatal, trouble following a car crash on Mulholland Drive.
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